Showing posts with label Aerial image. Show all posts
Showing posts with label Aerial image. Show all posts

November 27, 2012

Raj Bhavan, Calcutta


The gubernatorial house of Bengal, Raj Bhavan (“Regal House”), is an essential stop on the itinerary of any heritage enthusiast on a sightseeing tour of the historic British-built BBD Bagh Area (formerly Dalhousie Square) despite being out of bounds for visitors. Strewn with history from the colonial past with Gothic and Victorian edifices, beautiful churches, ancient cemeteries and impressive English buildings complete with exquisitely sculpted Corinthian pillars, ornamental statues, imposing facades and splendid interiors, BBD Bagh is one of the most renowned and endearing heritage zones in the city of Calcutta. As its centerpiece, the skillfully designed and laboriously executed enclave has the residences of the mighty – Raj Bhavan and Writers’ Building (office of the Chief Minister of Bengal, refer – Pixelated Memories - Writers' Building). By the numerous police officers on duty around Raj Bhavan, one is only granted permission to click the lovely cream-yellow facade from the streets afar and from the massive gateway if one happens to be unyieldingly adamant, like yours truly (unlike the superbly visitor-unfriendly Writers’ Building where photography is prohibited even from afar!) and hence one has to rely on old photographs and satellite imagery to achieve an idea of what the Governor’s residence is actually like. The largest and unequivocally the most highly adorned residence of a state head after the President’s House in Delhi (refer Pixelated Memories - Presidential House, New Delhi), the Raj Bhavan sits snugly in a colossal green space measuring 27 acres in the heart of the city and consists of a central domed rectangular core from which emerge four annexes connected to the core by quadrangular curved sections – the dome is not visible from the primary (northern) gateway since the raised triangular facade of the structure supported on six Doric pillars impedes the view from this particular side, however one can observe the giant semi-circular dome from the southern gateway.


The Raj Bhavan. At the bottom of the staircase is a Chinese canon brought by the armed forces following the First Opium War.


Though there are masonry gates along all four sides of the vast lawns housing the palatial building, only the northern gateway has been envisaged as a grand, though simplistic, structure with an ornamental iron gate complementing the thick marble pillars crowned by decorative marble vases; the rest of the gateways possess cement-finished terracotta/brick sculptures of lions (atop central (largest) arch) and sphinxes (atop the smaller side arches) but simply fail to hold a candle to the northern gateway, probably because the statues are undoubtedly unrealistic or because despite their decorative appearance and much adorned surfaces, they are unremittingly not as grand as the intention behind their conceiving might have been. The present form and composition of the statues was arrived upon after much experimentation that continued for over a decade! Photographs depict how luxuriously regal the structure is from within and since I haven’t been inside (but would love to!) I am sharing photographs from the official website to display the same. On the north side, an enormously long gravel-lined walkway flanked by palm and other trees leads to a wide flight of stairs following which the building’s interiors can be accessed. At the bottom of the staircase rests a beautifully decorated Chinese cannon mounted on a winged dragon and brought to India in the year 1842. A plaque fitted on the cannon's plinth reads "Edward Lord Ellen borough, Governor General of India in Council, erected this trophy of guns taken from the Chinese, in commemoration of the peace dictated under the walls of Nan kin by the Naval and Military forces of England and India under the command of Vice-Admiral Sir William Parker and of Lieutenant-General Sir Hugh Gough (1842).", thereby commemorating the victory over the Chinese in the highly unethical First Anglo-Chinese Opium War that broke out as a result of the Chinese emperor’s opposition and punishment with regard to the pushing of massive quantities of illegal opiates into his country but was largely motivated by the British frustration at the Chinese trade framework which limited their influence in the region. The seal of Indian sovereignty – the Ashokan lions mounted on their pedestal and underlined by the national quote “Satyamev Jayate” (“Truth alone triumphs”) – can be seen embossed in gold on the northern gateway as well as the triangular pediment of the main structure – these replace the British coat of arms that once made up the insignia defining the Viceregal lodge, as noted by the renowned painters Thomas and William Daniells –

“Contiguous to the Esplanade is the Government House, a superb edifice, approached by four colossal gates emblazoned with the Britannic Arms” 

As witnessed from vintage photographs, the coat of arms belonged to the British government and the East India Co. (these were later removed in favor of the former) and featured on the triangular pediment as well was emblazoned on the front face of each annex. 


The simplistic yet marvelous northern gate. Notice the Indian administrative insignia emblazoned in gold on the gates.


Completed in 1803 after four years of laborious construction work, the grand building, then referred to as “Government House”, was a brainchild of Lord Wellesley, the then Governor-General of the British East India “trading” Company (which incidentally also owned vast territories and commanded a very powerful army). Prior to the construction of this splendid structure, the Governor-General used to reside in a rented country house that stood at this very spot and was owned by Mohammed Reza Khan, the Nawab (revenue collector/”Zamindar”) of Chitpur but was found to be unfit for regal residence by the Governor-General. Embarrassingly, though Lord Wellesley has been credited with gifting one of the most elegant colonial buildings to Calcutta, he was soon charged with misuse of Company funds for construction and furnishing of this extremely expensive structure and was recalled to England in 1805. Considered to be amongst the finest European architectural legacies in the subcontinent, the structure was designed by Captain Charles Wyatt and inspired by the Kedleston Hall of England (the ancestral residence of Lord Curzon, a later Governor-General and occupant of the Government House). It, however, differs from Kedleston Hall in several key aspects – the latter features only two annexes curving along its front instead of the four elegant pavilions curving symmetrically along each corner of the central building as observed in the former; nor does Kedleston Hall boast of a fusion of several architectural influences like spacious verandahs and colonnaded hallways.


Warm and regal - The Throne Room within the gubernatorial house (Photo courtesy - Rajbhavankolkata.nic.in)


The Neoclassical Raj Bhavan building has since housed numerous Governor-Generals, (following the transfer of governance from East India Co. to the Govt. of Britain in 1858) Viceroys, (following the transfer of British administration to Delhi in 1911) Lieutenant-Governors of the territory of Bengal and (following independence) Governors of the state of Bengal – it was only natural that several changes would have to be made to the structure to accommodate the requirements of these illustrious personalities while also modifying it to keep pace with technological and structural developments – thus somewhere around 1805 the metallic dome was added – it used to be surmounted by a sculpture of a female deity holding a spear and shield but it was removed to avoid lightning strikes – the dome has since been repaired and replaced several times, Lord Curzon had a small electric lift installed within even though the building only possesses three floors with a total of sixty regally furnished and tastefully decorated rooms; he also added the ornamental vases, each of which is over six feet tall (a fact not apparent from the gateways!), marking the roof and modified the color scheme from pale yellow to dazzling white, though at present yellow seems to be back in favor (I must point out that in comparison the new supposedly “gentle and soothing” blue and white color scheme being enforced in the entire city by the ruling Trinamool Congress (TMC) dispensation appears to be a highly garish eyesore, nowhere more apparent than in the elitist, elegant and warm BBD Bagh area). Several more cannons and guns were added as trophies around the main structure as the British established administrative and military control over new territories – Sindh (Pakistan), Mesopotamia (Iran), Punjab (India-Pakistan), Mandalay (Myanmar), Kabul (Afghanistan), Seringapatnam (capital of Tipu Sultan's kingdom at Mysore, from where comes the Governor-General's stunning throne) – I wish public entry to the complex was allowed if only to view these historic artifacts. A lesser proportioned “Garden House” was added in the huge lawns in 1977 when T.N. Singh, the then Governor, expressed unwillingness to stay in the main building citing its massiveness and opulent character. The most prominent of the recent Governors of Bengal, Gopal Krishna Gandhi, a forthright and extremely brilliant writer-columnist whose articles and essays I adore, had several environmental measures taken up in the complex, including solar panels and rain water harvesting systems.


An aerial view depicting the central core topped by the metallic dome, the triangular facade supported by the six Doric pillars and the four annexes (Photo courtesy - Panoramio.com/sandipanoramio)


The richly decorated offices and the lavish residential quarters are accommodated in the four annexes; the complex also maintains, in a corner of its lawns, a small cemetery dedicated to the gubernatorial pets that deceased during the tenure. Besides a “Throne Room” (where once princes and visiting dignitaries were received but today the Governors are administered oath of office), the structure also boasts of several huge and colonnaded banquet halls, visitor rooms and conference chambers, each of which is lined with precious artifacts and magnificent paintings besides rich carpets, comfortable seating arrangement, luxurious chandeliers and expensive wooden furniture thereby completing the lavish royal appearance deserved by the Governor (based on the photographs available on the official Raj Bhavan website, see site link at the end of this post). Of course, one can argue that such extravagant show of splendor and affluence is sick and demoralizing in a poor state such as Bengal where the government makes headway in providing the most basic civic amenities only after receiving millions of rupees worth bailout packages from the central government, but – one, the (nominal) head of the state needs an exclusive, lavish residence in accordance with her/his position, and two, duh, people aren’t after all allowed within the massive structure! (except occasionally, like the recent much written about, open invitation to visitors by then Governor M.K. Narayanan). 


Lavishly luxurious - One of the several drawing rooms (Photo courtesy - Rajbhavankolkata.nic.in)


It is interesting to note that while the British no longer run the country and the Governor is only the titular head of a state with the actual legislative power resting with the Chief Minister, the landmark gubernatorial houses in every state are still referred to as “Raj Bhavan” or “Government House” – definitely a colonial legacy in nomenclature which has been adopted to modern vernacular utilization. The Raj Bhavan at Calcutta has been the site from where some of the foremost personalities of their time legislated over the entire country and several eminent Governors managed affairs of Bengal; it is also the site for the undertaking of several key projects and signing of several important treaties and orders. The majestic structure proved to be a pinnacle of European construction in the magnificent city and has undoubtedly been paid a grand tribute by Lord Curzon (who happened to be a discerning visitor and pro-conservation administrator of several endearing historic structures throughout the subcontinent) through his words – 

“(It is) without doubt the finest Government House occupied by the representative of any Sovereign or Government in the world.” 


Flamboyant! (Photo courtesy - Flickr.com/Chiradeep Mukhopadhyay)


Location: BBD Bagh Area (formerly Dalhousie Square)
Nearest Bus stop: Esplanade
Nearest Metro station: Esplanade
How to reach: Buses and metro can be availed from different parts of the city to Esplanade from where one can walk/take a taxi to Raj Bhavan. One can also take a taxi from any part of the city to Raj Bhavan/BBD Bagh.
Entrance fees: Nil, but visitor entry strictly disallowed without prior written permission from the authorities or appointment with the Governor.
Photography/Video charges: Nil from the outside. Again, prohibited within the complex.
Time required for sightseeing: 20 min
Relevant Links – 

May 20, 2012

Lotus Temple, New Delhi


“In the heart of New Delhi, the bustling capital of India, a lotus-shaped outline has etched itself on the consciousness of the city's inhabitants, capturing their imagination, fuelling their curiosity, and revolutionizing the concept of worship. This is the Baha'i Mashriqu'l-Adhkar, better known as the "Lotus Temple". With the dawning of every new day, an ever-rising tide of visitors surges to its doorsteps to savour its beauty and bask in its serenely spiritual atmosphere..Against the backdrop of a religious milieu which encourages the fragmentation of the Supreme Reality into innumerable gods and goddesses, each personifying a specific attribute of the Almighty, the Baha'i Temple, with its total absence of idols, elicits bewilderment as well as favourable response.”
Eliza Rasiwala, “The Lotus of Bahapur – A magnet for the heart"

The Lotus Temple, or the Baha’i House of Worship, one of the most beautiful places I have visited in the country and perhaps the only architectural marvel that I can visit time and again despite being there several times, had been long on my radar but the visit just couldn’t materialize because of other commitments – that is, till now. Prodded on by my cousin and sister-in-law Prateek and Hitika (pretty accomplished writer-photographers both) who recently hosted a photo walk with our photography club “Strobe Wizards” at the temple complex, finally I did visit the magnificent temple. It was an uneventful sunny day and I had little to do at office where I was interning, so I tiptoed out and got on my way. The temple, also known as "Kamal Mandir", takes one’s breathe away even from afar – in fact, you can see people travelling on Delhi metro's Violet line that zips past on lofty over-bridges turn their heads to gaze at the attractive sight of the pristine marble lotus blooming amidst deep lush greens. The unbridled amazement when one looks at the splendid architectural marvel from up close is indeed indescribable.


The Baha'i Mashriqu'l-Adhkar


The temple is situated in the village of Bahapur (Kalkaji) on a gentle hill on land bought with the money donated by Ardishir Rustanpur of Hyderabad (Pakistan) who gave his entire life savings for the construction of the shrine. It is perhaps the only temple where people go for photography and sightseeing visits rather than for prayers – this has a lot to do with the Baha’i principle of keeping their shrines open for people of all faiths and their strict shunning of advertisement of their religion or forced conversions and indoctrination – this is what makes the temple incredibly popular among tourists, locals and photographers alike. The number of tourists visiting the complex puts it even above Taj Mahal of Agra in terms of popularity index. An important constituent of Baha’i beliefs is the concept of a single creator and the equality of all human beings, and thus their places of worship equally welcome followers of all religions and cults – one can spot Hindus, Sikhs and Muslims, old and young queuing up to enter the temple complex and the main shrine and there couldn’t be a sight more colorful, more vibrant and more secular than this. A matter of great pride and interest is the fact that the meticulously-planned 27-leaved lotus figure is one of the only seven Baha’i Houses of Worship spread throughout the world (the other six being in Australia, Germany, Samoa, Panama, Uganda and USA). Architecturally, one of the most accredited buildings in the world, the temple has won numerous awards and distinctions for the same and has been a sensation amongst architects, designers, engineers and laymen alike. Since it was thrown open to the public in 1986, the number of tourists flocking to it have soared, and the proximity to Kalkaji Metro station (just 5 minutes’ walk away) has made reaching the place even easier. The monument was designed by Fariborz Sahba, an Iranian-Canadian architect and a firm believer in the Baha’i faith. He drew his motivation from Hindu and Buddhist scriptures, which together make lotus one of the most recurring symbols in the Indian culture. Construction News, a British technical journal, described Lotus Temple as “the Taj Mahal of the 20th Century' in its 1986 issue, a title that has been subsequently used by numerous other publications.


Grace and symmetry


Structurally, all Baha’i Houses of Worship, including the Lotus Temple, share certain architectural elements, some of which are specified by Bahá'í scriptures – the essential architectural characteristic of a shrine is stipulated as its being a nine-sided structure neither displaying pictures, statues or images nor incorporating in its scheme pulpits or altars. Before entering the central hall underneath the lotus structure, visitors are required to remove their shoes – an underground room divided into numerous counters has been constructed midway between the entrance and the superstructure and is manned by volunteers who receive the footwear and provide tokens for the same. Visitors to the central hall are usually amazed at the gigantism of the structure and the striking symmetry achieved through the use of arches and angles – most of them are also confused by the absence of idols, religious symbolism and priests inside the central chamber, but perhaps the biggest jolt is the sheer crushing silence that the massive chamber affords. The hall, approximately 40 meters high and capable of housing 2,500 people at a time, is marked by rows upon rows of benches stacked directly underneath the gigantic roof that features a nine-pointed star (symbolic of Baha'i faith) inset with a sparkling symbol (referred to as “Ringstone symbol”) composed of three patterns – two five-pointed stars (“Haykal”) representing Bab and Baha’ullah and a simplistic line design between them representing to the followers of the Baha’i faith the intersection of the three worlds of God, His messengers and men.


A touch of glitter - The spiritual symbol embedded in the temple roof (Photo courtesy - Flickr.com/Adib Roy)


Only 100 people are allowed at a time within the prayer hall in order to maintain the decorum of the shrine and before entry they too are explained the rules – “No shouting”, “No photography”, “No mobile phones”, “No sitting on the floor” and such – by the volunteers managing the crowds. All volunteers are themselves members of the Baha’i faith and come from different parts of the world; they are friendly and knowledgeable about the religion and the House of Worship and share facts and entertain discussions about the same. I had the opportunity to meet a volunteer from Canada (whose name I never asked!) who answered many of my questions and increased my information base about the faith and its operations. (Edit: On another photo walk (dated September 13, 2014) with our photography club “Delhi Instagramer’s Guild”, we were introduced to the Baha’i faith and the temple by Prashant, a volunteer from Bihar – extremely soft-spoken, Prashant’s knowledge of the faith is exemplar and very updated, and he himself strived to be an excellent human being and motivated us to do the same with his in-depth understanding of his religion and its tenets). There is no time limit as to how long an individual can stay inside the hall; photography is strictly prohibited but most people do click when the volunteers are busy elsewhere – I intend to visit the temple again after obtaining permission to click the hall interiors, until then a photo borrowed from another website shall grace this article. One can sit on the benches, but sitting/squatting on the floor (as one might do in a Hindu temple) is not allowed; also prohibited is the use of musical instruments, preaching of sermons and creating a nuisance. It is generally disorienting for most Indians when they visit the temple since we have become so used to face an idol or a wall indicating the direction of prayers – though incredibly mesmerizing, the hall, with its long rows of benches and utter silence, is slightly daunting for most. Baha’i teachings are occasionally recited in prayer sessions organized at the temple along with extracts from Bhagavad Gita, Quran, Buddhist teachings and Bible.


The volunteer from Canada


The 27 petals, constructed of reinforced concrete, are clad on the outside with pure white marble plates sourced from Penteli Mountain, Greece and stand free from each other in three concentric circles to form a nine sided flower. Nine water pools surround the temple to impart the semblance of the leaves of a lotus flower when seen aerially. As is apparent with the figures employed in the temple’s construction, the number nine is considered sacred in Baha'i faith since it is derived from the word “Baha” (“splendor”). The area surrounding the temple has been beautifully landscaped and efficiently maintained by the authorities – the lush green lawns soothe the eyes and the rows of shrubbery and flowering plants along the pathways frame the temple to lend it an even picturesque setting. Palm trees and small artificial hills adjacent to the main entrance draw a curtain over the temple so that it is gradually revealed in its true majesty when a visitor has walked a little towards it. Numerous security guards and volunteers posted around the temple prevent the visitors from trampling on the grass and keep prodding them to walk only on the designated walk ways. Near the parking lot is an underground information center – drenched in dim orange light and draped with large placards intimating the visitors about the main religions of the world and their association with Baha’i teachings, the Information Center displays numerous books and manuscripts published by the Baha’i publication centers and is manned by numerous volunteers well-versed with the faith and its scriptures. One can also avail of sermon booklets and brief introductory sheets in almost all Indian and most major languages from here. The temple property, inclusive of the pools, gardens and the information center comprises 26 acres.


The Information Center (Please note that photography is strictly prohibited inside the Info. Center and prior permission has to be solicited for the same.)


After exiting from the hall, one can revert to clicking the celebrated exteriors, take a stroll around the complex to admire its construction and layout, or step down the stairs surrounding the lotus structure to reach the considerably cool water pools. Underneath the prayer hall are kiosks selling souvenirs – postcards, plastic models of the temple, key rings and books detailing the Baha’i faith and construction of the Lotus Temple. I bought a rather boring, but delightfully illustrated book “The Dawning Place of the Remembrance of God” – numerous photographs chronicle the construction of the imposing temple and several essays capture the perennial joy one experiences on witnessing the splendor of the blooming marble lotus.

The tranquil environment of the temple proves to be a soothing relief from the chaotic hustle-bustle of the city. As many would attest, sitting on the stairs leading to the pools around the temple is an enjoyable experience, further amplified by the cool afforded by the water and the striking temple for company. Somehow, one tends to forget all worries, reflect on the intricacies of life and experience a calmness spread over every frayed nerve while seated around the temple. The architect indeed triumphed in his pursuit!


Lights and reflections


A brief history of the Baha’i faith –
The year was 1844 and the setting a fiercely Islamic Iran when a 26-year old trader Mirza Saiyyid Ali Muhammad Shirazi claimed to be the Shia sect’s prophet (“Mehdi-Khwaja”) whose appearance was promised in the scriptures. He was already renowned as a scholar-writer and soon thereafter his declaration, took up the title “Bab” (“Gate”) and declared that another prophet too shall appear soon after him. Bab was bitterly criticized and opposed by the Iranian Shia clergy who pressurized the government to arrest and physically punish him; nonetheless the Bab movement continued to gain followers and he himself wrote numerous books and letters expounding upon his beliefs and interpretations of the scriptures. He spent several years in imprisonment during which most of the provincial Governors and jail superintendents who came in touch with him were readily impressed by his spiritual knowledge and messianic claims and immediately became his religious followers. Considering his considerable popularity and spiritual authority a threat to the established religious order, the government finally relented to the clergy’s demands and ordered his execution along with a follower who had exclaimed his wish to be martyred with him – interestingly, legend goes that when the smoke from the rifles used to fire upon Bab and his companion settled, it was noted that the bullets miraculously only cut the ropes that had tied the two! Bab had disappeared from the firing chamber and his companion stood there startled but unharmed – later Bab was found in an adjacent room dictating a final message to his secretary following the completion of which he agreed to the execution and tied up again – this time the bullets actually pierced his body and he died of the gunshot wounds. He was only 29 years of age at the time of his demise. Following his execution, a group of his followers (“Babis”) resorted to terrorism and plotted to assassinate the Shah of Iran, but the attempt failed and led to extremely violent repercussions from both the administration and the Shia public who considered the Babis heretics . Almost all of them, numbering several thousand, were arrested and beaten; fearing imprisonment and intensive persecution, many fled and requested asylum in other countries; rioting followed and 2,000-3,000 of the Babis were killed (the unofficial figure is significantly higher – 20,000 killed, the remaining imprisoned). 


Petals


Fettered in a dark underground prison was one of the most notable personalities of his time – an eminent religious scholar and a firm believer in Bab’s sayings, Mirza Hussain Ali Nuri of Iran who was said to have been made aware of his divine inheritance as God’s prophet and Bab’s successor by angels while he was in prison and took up the title “Baha’ullah” (“Glory of God”). Originally an affluent merchant, he wrote numerous voluminous books and religious interpretations after he was freed from prison several months later and travelled to Kurdistan under the alias Darvish Muhammad-i-Irani where he was immediately recognized as an unparalleled intellectual in spiritualism and Islamic jurisprudence. Baha’ullah’s influence continued to grow even though he was exiled and transferred from one distant region to another – in parallel, the Baha’i belief, originating from Baha’ullah’s teachings, too grew as a separate identity within the Babi movement until it finally attained the status of a distinct religion. Observing the propagation of divergent religious ideas by members of the Baha’i faith and the growing disenchantment of several foremost Babi leaders which could lead to disorder and public agitation in future, the authorities again imprisoned Baha’ullah in 1868, subject to which he lived till his demise in the year 1892.

As enumerated by Bab and Baha’ullah, the Baha’is believe in three fundamentals – God is one, all religions are different methods to reach to that same God, and lastly, all humanity was created equal without any distinctions of caste, color, creed or gender. Additionally, Baha’is believe that Bab and Baha’ullah were the most recent in line of God’s Prophets which also includes the Abrahamic triad, Jesus, Muhammad, Krishna and Buddha. The Baha’i faith is amongst the youngest of world’s religions, slightly over 150 years old; but it also is amongst the fastest growing religions and there are around 7.3 million Baha’is scattered throughout the world. Following the death of Abdul Baha, Baha’ullah’s son and political successor and an exemplar human being according to Baha’is, the faith has been governed by a partly-elected, partly-appointed administrative council of eminent Baha’is, while Shoghi Effendi, Abdul Baha’s grandson, assumed the position of the first and last “Guardian of the Baha’i faith”.


Another night click. It really is worth requesting permission for a night visit since the temple is beautifully lighted and outlined against the dark expansive lawns.


2.2 million, or around a third of the world’s Baha’i population lives in India – India has been associated with the faith since its inception since four of the foremost eighteen followers of Bab were Indians and Baha’ullah too dispatched numerous emissaries to the subcontinent. As mentioned before, the Lotus Temple is one of the seven Houses of Worship of the Baha’is and acts as an ambassador of their faith. Yet there is little knowledge among the tourists as well as the local population about who the Baha’is are and what is it that they do – this has more to do with the Baha’i principle of not advertising their religion nor attempting to convert anyone. The Baha’is have neither clergy nor any rituals that would bring them public visibility. To become a Baha’i, one cannot just go to the Lotus Temple or other Houses of Worship and demand to be allowed in the faith – instead one has to recognize that all religions are meant for the advancement of human society and that Baha’ullah was a messenger of god, besides undertaking an “independent investigation of the truth” where, if found credible, an elected administrative body of nine members referred to as a “Spiritual Assembly” shall grant admission to the faith and record the personal details. Regular religious meetings are held in numerous Baha’i centers around the world – the center in Delhi is at Canning Street. Other centers are located in Chandigarh and Bihar – Bihar is rapidly converting into a major Baha’i settlement and one of the seven new Houses of Worship to be opened throughout the world is conceived to be located in Bihar.


Behold beauty unparalleled! (Photo courtesy - Mydecorative.com)


The central theme of Baha'ullah's message – all humanity is one single race and the day has come for its unification into one global society – finds resonance in most sane thoughts throughout the world, but from what I have observed, though Hindus are rather easy going about the Baha’i claim of Baha’ullah being the “Kalki” incarnation promised in ancient Hindu scriptures, Muslims generally express shock and disbelief at the claim of his being the promised Islamic prophet “Mehdi-Khwaja” and this might be a major reason for the slow uptake of the faith in Islamic territories. Given the faith’s origin from Muslim Shia sect, most Muslims, Shia as well as Sunni, consider Bahá'is heretics and deserters from Islam, which has led to extreme persecution of the Baha’is in most Islamic nations, especially in Iran, the country of the religion’s origin.


One of the marble plaques installed in an artificial mound near the temple complex's entrance


Location: Bahapur, Kalkaji
Nearest Metro station: Kalkaji Mandir (500 meters away on a straight road)
Open: Tuesday–Sunday
Timings: Summers: 9 am – 7 pm; Winters: 9:30 am – 5:30 pm
Entrance fees: Nil
Photography/Video Charges: Nil (Prohibited inside the prayer hall)
Time required for sightseeing: About 1 hour
One can also visit the ISKCON and Kalkaji temples located nearby (refer Pixelated Memories - ISKCON Temple)
Suggested reading - 
  1. Abhinavgauba.com - Reflections: Service at Baha’i House of Worship (Part 1)
  2. Bahai.in (Official website of the Indian Baha'i community)
  3. Bahai.in - "The Jewel in the Lotus" by Fariborz Sahba
  4. Bahai.in - "The Lotus of Bahapur - A magnet for the heart" by Eliza Rasiwala
  5. Bahaikipedia.org - India
  6. Bic.org - Current situation of Baha'is in Iran
  7. News.bahai.org - Baha'i Temple in India continues to receive awards and recognitions
  8. P4panorama.com - 360° panoramic view of Lotus Temple exteriors and interiors
  9. Thearchiblog.wordpress.com - Lotus Temple, New Delhi
  10. Wikipedia.org - Abdul Baha
  11. Wikipedia.org - Bab
  12. Wikipedia.org - Baha'i faith
  13. Wikipedia.org - Baha'i faith in India
  14. Wikipedia.org - Baha'i symbols
  15. Wikipedia.org - Baha'ullah
  16. Wikipedia.org - Lotus Temple
  17. Wikipedia.org - Shoghi Effendi (Guardian of the Baha'i faith)