Showing posts with label Delhi. Show all posts
Showing posts with label Delhi. Show all posts

July 02, 2019

SUNY-Oswego/STARTALK collaboration (2019)


Pixelated Memories was featured in a series of educational videos on ancient Indian science and architecture. These were developed jointly by State University of New York (SUNY-Oswego), University of Maryland, ESHA Foundation and US National Security Agency as part of STARTALK Program, an effort to internationally promote several languages (including Hindi) and their vernacular sciences.

The collaboration project was the brainchild of Prof. Dr. Alok Kumar of SUNY-Oswego and involved detailed research about the history, architecture, religious significance and scientific underpinnings of several monuments in Delhi and Rajasthan.

Even though it was pre-decided that each of the two videos that Pixelated Memories will feature in will introduce only one monument/concept and will only be 5-10 minutes long, it nonetheless required two days of hectic shooting at the Qutb Complex, Delhi. It was an exhilarating experience, though disconcertingly intimidating, being under cameras and strobe lights for the first time!

Here are the videos –





Access the complete lecture series here – STARTALK Authentic Media on Indian Science & Technology

Access articles relevant to the monuments discussed here 
  1. Pixelated Memories - Iron Pillar, Delhi
  2. Pixelated Memories - Qutb Complex, Delhi
  3. Pixelated Memories - Qutb Minar, Delhi
Media mentions 
  1. Economictimes.com - NASA funds programme to produce videos to teach Hindi through Indian scientific innovations (June 18, 2019) (sic)
  2. Indiatoday.in - NASA funds programme to teach Hindi internationally through science-themed videos (June 18, 2019) (sic)
  3. Oswego.edu - Professor joins team to produce science-themed videos to teach Hindi (June 17, 2019)
  4. Rstv.nic.in - NASA funds programme to produce videos to teach Hindi through Indian scientific innovations (June 18, 2019) (sic)
  5. Thehindu.com - NASA funds programme to produce videos to teach Hindi through Indian scientific innovations (June 18, 2019) (sic)
  6. Timesofindia.com - NASA funds programme to produce videos to teach Hindi through Indian scientific innovations (June 18, 2019) (sic)
  7. Tribuneindia.com - NASA funds programme to produce videos to teach Hindi through Indian scientific innovations (June 18, 2019) (sic)

May 16, 2016

Dadabari Jain Temple, Mehrauli, Delhi


“No man can encompass all that is to be known. The wisest among us can hold no more than a mustard seed’s weight of knowledge in his heart. But nevertheless each follower of the path has his own particular understanding, and each person’s understanding has value.”
– Thalassa Ali, “Companions of Paradise” (2006)

The streets blistered and roasted like fiery furnaces and not the slightest draught stirred, while the sun, an insufferable ball of fire in the clear sky, transformed into intense searing white and ceaselessly endeavored to incinerate all existence. It was a day not unlike any other in Delhi’s scorching summer.

Amidst the multitudes of singed brown-green hues of Mehrauli Archaeological Park manifests mirage-like Dadabari Jain temple – dedicated to the erudite Jain mystic-saint Manidhari Dada Gurudeva Sri Jinachandra Suri ji – whose flawless white profile unfailingly soothes dreary eyes and beckons fatigued souls.


Jewel in the wilderness


At the very outset, I insist that only believers read on, and skeptics and cynics skip these few paragraphs.

A prodigious scholar, inquisitive philosopher and excellent social reformer, Sri Jinachandra Suri, born Surya Kumar in AD 1140, is said to have renounced the comforts of conventional life at the tender age of 6 years, and thereafter arduously trained and distinguished himself in Jain religious philosophy and metaphysics.

He compiled numerous scholarly tomes on comparative religious theology and spirituality, and soon afterwards became so illustriously renowned that he was entrusted by Acharya Gurudeva Jindutta Suri ji, his transcendentally accomplished spiritual mentor, with delivering intellectual spiritual discourses on religious mysticism, universal brotherhood and philanthropic magnanimity throughout the country.

Although Acharya Jindutta and he himself had prophesied his arrival and subsequent demise in Yoginipur (Delhi), he nonetheless resolved to temporarily reside in the province to discourse on religious equality, tolerance and amicability upon receiving deferential invitations from the sovereign Raja Madanpal Tomar.


Inviting


During his residence in Yoginipur, he is said to have also commissioned a beautiful temple, dedicated to the legendary twenty-third Tirthankara Parshvanatha (BC 872-772), at the present-day site of the Qutb Complex (refer Pixelated Memories - Qutb Complex).

At the age of 26, prompted by clairvoyant visions only slightly prior to his mournful demise, he resolutely cautioned his emotionally-besieged disciples to not stop his funeral procession anywhere except where they wished to cremate his earthly remains, for if they did they would never be able to relocate his body again. Fatigued and desirous of allowing fellow devotees to pay their last respects and condolences for the demised, the faithful followers carrying the funeral pyre did however stop in the village square and, as portended, failed to move the remains again! Reminiscent of the childish tale of Humpty-Dumpty, subsequently the king’s soldiers, horses and even elephants are said to have failed in their endeavors to budge him, and thus was Dada Gurudeva ji cremated on that very spot and a commemorative shrine reverentially constructed over the consecrated site.


Blinding!


Additionally, it’s said that he had also portended that the sacred site where he’d be cremated shall remain barren for 800 years, and indeed a magnificent shrine was only consecrated here in late 19th-century. Repeatedly embellished and reconstructed since, an intricately ornamented silver-and-glass memorial gracefully protrudes over the hallowed site today, symmetrically enveloped by covered walkways for faithful devotees to circumambulate.

Only a stone’s throw away, the massive central shrine is elegantly fabricated of exquisitely sculpted white marble. Within, the glittering glimmering sanctum is in its entirety composed of a spellbinding agglomeration of meticulously reverse-painted glass shards whose myriad shimmering hues compliment and yet jostle with each other for visual supremacy amidst a whole that remarkably, without being even in the slightest bit incongruous or disproportionate, succeeds in delineating several visual depictions of Jain mythological fables and remembrances of Dada Gurudeva’s enthralling, albeit possibly highly embellished, life and times. As the photographs here testimony, magnificently does the whole chamber metamorphose, upon incidence of even the minutest sliver of sunlight, into an extraordinarily effervescent explosion of vivacious colors.


One from the folklore


Perhaps endeavoring to plagiarize the spatial scheme of the venerable Parasnatha Hill in Jharkhand (at least to me it appeared so!), adjacently has been conceived a large artificial hillock whose constricted veins secure a labyrinthine network of tiny interconnected cell-like sanctuaries, each individually dedicated to Jain mendicant-teachers and Tirthankars (lit., “ford-maker”, omniscient spiritual teachers who attained liberty from the terrible cycle of rebirths and worldly attachment by fierce contemplative meditation, unremitting emphasis on non-violence, and the renunciation of worldly relationships and responsibilities).

Though the shimmering vividness of the shrine’s reverse-painted glass art might be commonplace in most north Indian Jain/Hindu temples, yet given its impeccable history and the singular network of shrines defining the artificial hill, it is surprising that not many are aware of the existence of this multicolored sparkle enveloped within its soothing white cocoon adjacent the perceptibly interminable wilderness of Mehrauli Archaeological Park.


Cherubs, blossoms and wreaths - Unusual for a Jain shrine!


In every direction one turns to are located innumerable medieval monuments and devoutly revered shrines, some world-renowned, others even more disappointingly obscure. The simplistic yet alluring Madhi Masjid is barely a stone's throw away (refer Pixelated Memories - Madhi Masjid). More prominent is Ahinsa Sthal, another Jain shrine, and its neighbor mausoleum of Azim Khan, both constructed upon adjacently situated towering outcrops appealingly overlooking the green-brown expanse of Mehrauli (refer Pixelated Memories - Ahinsa Sthal and Pixelated Memories - Azim Khan's Tomb). No wonder then amidst this deluge of enthralling ruins and forgotten monuments, the Dadabari is only half-remembered and occasionally frequented.

Open: All days, sunrise to sunset
Nearest Metro station: Qutb Minar
How to reach: The temple is located in a nondescript street on the other side of Mehrauli-Gurgaon highway immediately opposite the metro station. If coming by bus, get down at Lado Serai crossing (at the junction of Mehrauli-Gurgaon and Mehrauli-Badarpur highways) and walk for barely half a kilometer to reach the metro station. 
Entrance fees: Nil
Photography/video charges: Nil
Time required for sightseeing: 45 min

April 30, 2016

Fire destroys Delhi’s National Museum of Natural History


“Vritha ahankarshivaya, yathapashyapasoon alipt rahoon, muktapane khanbeerpane va utsaahane, kartavyepalan karnanyalach satvik mehantat”

“The detached and liberated performer, devoid of false ego, endowed with fortitude and insurmountable enthusiasm, unwavering in success and failure, is considered noble.”
– The Bhagavadagita

Tragedy struck Delhi this past week when the priceless treasure horde that was the National Museum of Natural History (NMNH) was reduced to a smoldering mass of immense nothingness by a devastating fire.




The indescribable anguish and the surprising outburst of nostalgia, vociferously articulated by the city’s heritage and environment enthusiasts, was considerably more pronounced for Kaustav, my fellow Bio-technologist, and I since it has not yet even been a couple of months that we were standing riveted within the colossal building, in turns enthusiastically admiring the not insignificant collections meticulously arranged within glass cases and acquisitively staring at the scores of preserved flora-fauna specimens which we then heatedly argued about while attempting to classify them according to families, classes and categories learnt back in school (Animalia, Mammalia, Vertebrae…you get the drift). As if it would come alive and charge, the massive preserved rhinoceros standing threateningly at the foot of the staircase leading to the exhibition area too cornered a considerable fraction of our bewilderment.




The brilliantly lit fluorescent displays, the dazzlingly multi-hued butterfly collections seeming so conspicuously fragile, the unbelievably endearing bird specimens, the singularly patterned mollusks, the arrays of taxidermy big mammals, the numerous mesmerizing life-size diorama scenes, and of course the inquisitive-looking leopard sentinel-like staring at visitors from its perch along the ceiling – the loss is literally irredeemable, as if a bright light has become inexplicably extinguished even though it had been catastrophically neglected for so long that little of its magnificence, its magnetism now remained, even though it retained its unparalleled potency for illumination.





Death, in general, and the poignant eulogies that follow undeniably possess the unfailing propensity to elevate even the mundane on to the pedestal of blinding glory. I have no intention of denying that the museum authorities did little to promote its outstanding collections or even to preserve them particularly painstakingly, or that most of the mounted specimens were indeed frustratingly drenched with thick grimy layers of dirt and actually appeared like mottled and unkempt teddy-bears which could not even aspire to compete with the stunning visuals and the enviable narration that, say, National Geographic or Discovery Channel, have to offer today. Yet not unlike most things Indian, the endearing museum excelled not because of the uninterested bureaucracy but despite it, and the loss certainly does overwhelm.




Government authorities, including Environment Minister Prakash Javadekar (under the aegis of whose Ministry of Environment and Forests the iconic museum had been functioning since 1978 from a rented building belonging to the Federation of Indian Chambers of Commerce & Industry (FICCI) at Mandi House), have resiliently announced the construction of a grander, considerably better equipped facility near Pragati Maidan, how soon can the same be established and operationalized however remains to be seen. The precise cause of the accidental fire too hasn’t yet been ascertained.



April 01, 2016

TB Day – Operation ASHA, Delhi



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“My brother kneels (so saith Kabir) to stone and brass in heathen-wise,
But in my brother’s voice, I hear my own unanswered agonies. His God is as his Fates assign;
His prayer is all the world’s – and mine.”
– Rudyard Kipling, “Kim” (1901)

Negotiating one’s way through the immense flood of humanity and indifferent cattle ceaselessly streaming the claustrophobic narrow meandering streets delineating the oxymoronic urban village of Tehkhand in south-east Delhi, it is explicably easy to fathom why communicable diseases spread with such diabolical intensity in Indian subcontinent.

On a scorching summer morning, the scene is fairly reminiscent of Dante Alighieri’s “Inferno”. Flanked on either side by unbelievably overpopulated, multi-storied residential buildings whose ground-floor facades have been transformed into cramped cubbyhole shops and confectioneries, the obnoxious-smelling streets, deplorably pockmarked or shrouded with thick carpets of dog and cattle excreta with astonishing frequency, overflow along the peripheries with absolute black putrid sewage. Unparalleled in their irritability, an incalculable number of flies violently flicker around, and yet their all-enveloping presence does not in the least hinder the tiny impoverished children, their straw-colored hair and dust and slime-ensconced faces reflecting terrible tales of starvation and poverty, from carelessly running about in the accumulated filth and grime.

Unremarkable among a row of similar inconsequential buildings is an insignificant little clinic crowned by several cardboard information panels, one of these identifying it as an Operation ASHA DOTS center, another vibrant violet one announcing adherence to RNTCP.


Last-mile Delivery to the BoP


Endeavoring to eradicate Tuberculosis (TB) from the world over, Operation ASHA (OpASHA) is a Delhi-based non-profit, non-government organization operational in India and Cambodia, with third-party replication in Uganda, Dominican Republic, Peru and Kenya. Additionally, medications, care and counseling are also provided to underprivileged patients suffering from hemophilia, diabetes and HIV-AIDS.

Why Tuberculosis?

The statistics are horrifying – according to World Health Organization (WHO), of the 9.6 million people globally diseased with TB in the year 2015, a staggering 2.2 million were in India. Of these, over 330,000 died, that is, two deaths every three minutes, which is the approximate time required to read this article!

More people die of TB-related complications in India than in countries like Pakistan, Nigeria, Indonesia and China. What is however most perplexing is that the disease is totally curable, and the medicines are available free of cost from any government hospital/dispensary. More distressing is the absolute failure of medical health workers to get patients to adhere to the RNTCP-DOTS (Directly Observed Treatment Short-course) treatment regime whereby a patient has to consume the specified drugs for 6-8 months in the former’s presence (thus, directly observed).

Default in treatment can have the TB bacterium transform into Multidrug resistant (MDR) which, at its current rate of manifestation, shall prove to be the scourge of the developing world if unchallenged.

By employing Biometric eCompliance and electronic medical recordkeeping (EMR) systems consisting of android phones and fingerprint readers, OpASHA has succeeded in reducing default rate to less than 3% vis-à-vis 60% reported by governmental bodies and other NGOs, and that too by spending less than 19 times the capital invested by the latter.


Fighting Tuberculosis worldwide


Slightly within the physical peripheries of Tehkhand village is located the aforementioned OpASHA’s community DOTS centers, its inconspicuousness an additional advantage for the distressed patients trickling in intermittently throughout the day since they are often forced to maintain secrecy about their medical condition as a consequence of the severe social stigma associated with the disease.

Every 24th March, recognized as TB Day throughout the world, Tehkhand thunders with the slogans of several score OpASHA volunteers who march the constricted and clogged streets armed with starkly functional placards and posters stating “We want zero TB deaths” and mentioning the numerous indicators associated with the deadly disease.

This year, Dr. Sengupta, Delhi District TB Officer (DTO), too joined in and further expounded on the disease’s symptoms as well as the ill-effects of the consumption of alcohol and cigarettes. Patients and counselors from OpASHA’s Tehkhand centers, volunteers from the village, OpASHA office staff and officials from the government TB departments joined in to help make the event a success and disseminate knowledge about the disease and, most importantly, the complete effectiveness of its cure.


#zeroTBdeaths

This article and the ones that’ll follow germinate from the realization that knowledge about this horrendous disease and its catastrophic consequences is still abysmally low, even among many highly educated and remarkably accomplished individuals with whom we, the OpASHA staff, interacted, and we need to rectify this immediately.

Your help too counts! To know more, visit opasha.org.

February 17, 2016

Loharheri Baoli, Dwarka Sector-12, Delhi


“Hogi is dher imaarat ki kahani kuch to,
Dhund alfaz ke malbe me ma’ine kuch to”

(“Surely a story hides behind these ruins somewhere,
Search the debris of words, the meaning is there somewhere”)
– Shahpar Rusool, Urdu Professor,
Jamia Milia Islamia University, Delhi

Bubbling with fantastically-conceived hyperbolic tales and mythology, oral folklore always conceals within its spellbinding florid exaggerations thoroughly disguised minute kernels of truth which resiliently resist, and often irreversibly shatter, even the most endeavoring communal forgetfulness and/or malicious attempts to whitewash history.

Comprised of huge staircases leading down to deep vertical shafts of associated wells, “baolis” (step-wells) are massive medieval water-management and congregational monuments majestically scattered throughout northern and western-central India. Considering their limited numbers and unparalleled ornamental adornments, they are unquestionably and quite conspicuously the most cherished monuments vis-à-vis the multitudes of contemporaneous religious and funerary edifices, extravagantly opulent palaces and formidable fortress-strongholds littering the immense landscape.

Substantially smaller than most of its magnificent counterparts intermittently peppering the city, the recently-discovered Lodi-era (AD 1451-1526) baoli in Dwarka’s Sector-12 is historically believed to have been  christened “Loharheri Baoli”, deriving from the contiguous presence of a small settlement of ironsmiths (“lohar”) whose hydrological and congregational requirements the tiny edifice was to fulfill. Perplexingly though, this satellite suburb would have been considerably distant from the extensive settlements of medieval Delhi whom the ironsmiths would have professionally catered. Fortunately for the enthralling step-well, this historical anomaly renders it one of the few medieval monuments in this part of the city (the only other, that too several kilometers away, is the desolately forgotten and grievously brutalized Hastsal Minar delineating the ruinous remains of Mughal Emperor Shahjahan’s hunting estate (refer Pixelated Memories - Kaushal Minar, Uttam Nagar)).


Lost and found


Walking the unclogged, strangely sanitized streets of Dwarka – almost reminiscent of post-apocalyptic, post-humanity scenes from science fiction movies – feels singularly bizarre and a tad bit bewildering. Unlike the rest of terribly overpopulated, thoroughly urbanized and ubiquitously commercialized west Delhi, minutes pass here before one spots another pedestrian walking purposelessly or expectantly sniffing around buildings, vehicles seldom blare horns, and the colossal multi-storied soaring residential buildings too are unbelievably distantly spaced and uniquely designed.

Accessed via a narrow wicket-gate puncturing the high walls enveloping the towering Gangotri Apartments whose peripheries it discreetly, in fact almost invisibly, adjoins, presently the extensively restored and impeccably maintained three-tiered baoli is existential within a vast garbage-carpeted barren tract of land sporadically shrouded here and there by sorry-looking miserable tufts of weeds and grass irrepressibly rising from amidst the collected assortment of foul-smelling plant and vegetable waste, an overabundance of cow dung and dog droppings, innumerable polythene bags filled with domestic non-biodegradable rubbish, discarded construction material, and worthless shards of glass and plastic glinting in the sunlight.

Although the Gangotri complex and Dwarka International School prominently located barely a stone’s throw away are not insignificant landmarks, the bewildered locals, it seemed, faced insurmountable difficulties either comprehending my modest intentions or offering directions, consequentially sending me on a to-and-fro walk in search of the elusive baoli which being an unadorned, rubble masonry-built underground monument is easy to miss even from the immediate vicinity.

“In India it is not a good idea to ask just one person’s opinion, especially as far as directions are concerned. Not wishing to appear discourteous or unhelpful, they will say the first thing that comes into their head rather than honestly and far more usefully admitting that they do not know. It is best to ask as many people as possible and opt for the majority view. This does not necessarily mean that you will then be going in the right direction – it just gives you a slightly better chance of doing so. We therefore asked as many people as possible but we still ended up lost.”
– Josie Dew, “The Wind in My Wheels” (1992)


First impressions


Moderately proportioned and truly parched owing to the disastrous lowering of water-table over the centuries, the mesmerizing edifice was conveniently forgotten and interred underneath layers of earth and thick undergrowth, which culminated in its unsurprising obscurity and disappearance from contemporary literary records and monument censuses. Like its almost similarly designed cousin associated with the Wazirpur group of monuments in R.K. Puram (refer Pixelated Memories - Wazirpur Monument complex), this beautiful rectangular edifice too possesses immaculate rows of ornamental alcoves lining the longer sides along its two levels. There isn’t however any other functional feature or artistic adornment perceptible, except the presence of the likewise-dry circular well-shaft hugging its rear. Unexpectedly though, especially considering the perennial paucity of heritage enthusiasts and touristic visitors and the wretched uncleanliness of its surroundings, not the slightest trace of garbage can be noticed anywhere within the baoli's earmarked area – certainly a most commendable achievement on the part of Archaeological Survey of India (ASI) and Indian National Trust for Art and Cultural Heritage (INTACH) which restored the edifice and Delhi Development Association (DDA) to whom this tract of land belongs.


Isolated case?


Location: Pocket-1, Sector-12 Dwarka
How to reach: Walk/avail an auto/rickshaw to Gangotri Apartments/Dwarka International School from Dwarka Sector-12 Metro station which is about a kilometer and a half away. If walking, head towards Hotel Radisson Blu and take a left turn from there. The small baoli is located about a kilometer from this point on the right side of the arterial road in a vast barren expanse in the very shadow of Gangotri Apartments.
Entrance fees: Nil
Photography/Video charges: Nil
Time required for sightseeing: 20 min
Relevant Links -
Another monument located in the neighborhood - Pixelated Memories - Kaushal Minar, Uttam Nagar
Other baolis in the city -
Suggested reading -

February 09, 2016

30th Surajkund Crafts Fair, Faridabad, Haryana


“Journalist and professional sociopath A.A. Gill wrote, If New York is a wise guy, Paris a coquette, Rome a gigolo and Berlin a wicked uncle, then London is an old lady who mutters and has the second sight. She is slightly deaf, and doesn't suffer fools gladly. Delhi, then, might be an ageing tsarina: ruthless, capricious, avaricious, paranoid – and fond of bright colours, pretty trinkets, and sex scandals. Like all grandes dames, she's showy, cash-splurging, hard to love, easy to photograph. Or perhaps, given her recent reinvention, she's more like a nouveau riche socialite – exactly as above, but on Twitter. The whole city jingles with theatricality, bling and the so-bad-it's-good.”
– Elizabeth Chatterjee, “Delhi: Mostly Harmless” (2013)


Traditional meets capitalism


Inimitably gorgeous paintings, meticulously designed sculptures, dexterously crafted handicrafts, mouthwatering delectable snacks, brilliant explosions of traditional attires and dance performances, myriads of vibrant colors, spellbinding sights, dizzying aromas and the rush of shopping frenzy-induced happiness amidst a terrifying deluge of aimless humanity at the very boundaries of Delhi – Surajkund Crafts Fair is back in its 30th edition and, quite gratifyingly, there doesn’t seem to be an end to the enchanting extravaganza of traditional handicrafts, matchless heritage and mouthwatering food on offer. And if the several kilometer-long traffic jams leading to-and-fro to the event location (especially on weekends!) are any evidence, the millions of spoiled-for-choice visitors thronging wide-eyed fascinated throughout the unbelievably enormous arena still cannot get enough!

I had previously been to the 28th edition (documented here – Pixelated Memories - 28th Surajkund Crafts Fair), and yet nothing could prepare me too for the incredibly immense crowds, the impeccably distinguished artistic designs and the delightful presence of at least a dozen traditional visual artists (“Behrupiya”) deviously attired in sparkling outfits and flawlessly masquerading as mythological divinities and traditional dancers.

This year, China-Japan and the newly-formed state of Telangana have been designated as the unique partner country(s) and theme state respectively for the enthralling cultural festival and consequentially present are several contingents of celebrated craftsmen-sculptors from these places to showcase their unparalleled artistic skills and cultural traditions.


Glitter glimmer - Dhokra tribal handicrafts (Chattisgarh)


Besides these, also in participation are craftsmen, sculptors, painters and handicraft merchandise traders from numerous other Indian states and countries like Kazakhstan, Afghanistan, Egypt, Seychelles, Pakistan, Sri Lanka, Bhutan, Tunisia, Malaysia and Nepal – however, as the craftsmen from Seychelles pointed out, not every spellbound, bargain-hungry visitor is eager to purchase anything, and most of those wandering about are there just to absorb the impeccably vibrant sights, hypnotic sounds, vivid textures and multitude of tastes (not all of them mouthwatering or even worth contemplating upon though!) that the mesmerizing fair promises.

For the discerning, there are tremendously swamped craftsmen from Karnataka offering illustrious Bidri artworks (black copper very delicately inlaid with shimmering silver) and Channapatna toys (handcrafted wooden, painted with brilliant natural colors and polished to perfection), soft-spoken Japanese artists (enticing hundreds of selfie-seekers to wantonly click photos alongside gigantic kites imprinted with cartoon samurais), polished-looking Onyx traders from Pakistan (with massive vases almost as high as me!), conscientiously hard-nosed craftsmen from Chattisgarh offering consummate Dhokra artworks (thoroughly-detailed tribal figurines produced by pouring molten metal in baked clay casts), muscular Rajasthani traders with bristling mustaches lining the arena with exquisite cloth puppets in myriads of sartorial choices and accessory designs, diligent painters from Maharashtra selling the celebrated tribal Worli paintings depicted on earthen wares and showpieces, very kindly old ladies from Malaysia selling otherworldly beautiful handmade paintings and intermittently delving into impromptu drawing-painting lessons for little kids, and, among others, bored Bengali craftsmen stocking coarse jute accessories and simplistic decorative tapestries and religious figurines.


Colors of Surajkund - Channapatna wood toys (Karnataka)


Also in attendance are several hundred more merchants dealing in vibrantly multi-hued utensils, glittering hookahs, appealingly-patterned textiles, enviably intricate religious sculptures, temptingly fearsome tribal masks, delicate ornamental glass lamps and accessories, tantalizing papier-mâché accessories and hundreds of thousands of types of scintillating jewelry adorned with glittering beads and shimmering sparkles. Until last year, there were unmanned drones and numerous helicopters flying high above the immense premises for security purposes; impressively this time, the prime attraction available for joyrides are several helicopters conspicuously twirling about very low overhead and banking and swerving midair with dazzling impunity!

The only drawbacks, as far as I can gauge of course, are the gastronomic avenues – the overall quality of the assorted savories as well as the unsurprisingly exorbitant prices (a glass of jaljeera for Rs 50, a smaller-than-the-smallest Domino’s pizza for Rs 200!!). Thankfully, the marvelous handicrafts do make up for everything. Five hours and a couple of thousand rupees later, clutching a heavy bag of finely polished Dhokra artworks and wonderfully bright Channapatna toys, I was already planning on items I shall be purchasing the next year!


Learning - A Malaysian artist tutoring children about how to paint


How to reach: Surajkund is located in Faridabad, approximately 8 km from south-east Delhi. The nearest metro station/bus stop is NHPC on the arterial Mathura road. Free to-and-fro shuttle services are available between the fair arena and NHPC, Badhkal Chowk and Badarpur metro stations. Interstate buses and autos also ply throughout the day along Mathura Road and one can get down at Badhkal/NHPC and avail a shared auto from there. If driving from Delhi, one can access Surajkund past the Karni Singh Shooting Range near Tughlaqabad.
Entrance fees: Rs 120/person (Rs 60 for senior citizens and college students upon showing photo ID card; free entry for girl students and children below the age of 10 years). Tickets are also available at 31 metro stations including Badarpur, Neelam Chowk Ajronda, Escorts Mujesar, Badhkal, Tughlaqabad, Sarita Vihar, Rajiv Chowk, ITO, Mandi House and Central Secretariat.
Photography/Video charges: Nil
Time required for sightseeing: 3-4 hrs
Organizational details about the annual fair - Pixelated Memories - 28th Surajkund Crafts Fair
Another amazing place to shop for handicrafts and textiles - Pixelated Memories - Dilli Haat
Suggested reading - Wikipedia.org - Behrupiya

January 12, 2016

St. James' Church and Fakhr-ul-Masjid, Delhi


“The services of the 1st and 2nd corps of irregular horse, under command of Lieut.-Colonel Skinner, assisted by Major Fraser, throughout the siege, have frequently elicited the highest admiration and applause. Nothing could exceed the bravery of this valuable class of soldiers; and Lieut.-Colonel Skinner and Major Fraser fully merit this acknowledgment of his lordship's unqualified approbation of their conduct, and that of their men.”
– General Gerard Lake, British Commander-in-Chief, Second Anglo-Maratha War (1803)
(As mentioned by James Baillie Fraser, “Military Memoir of Lieut.-Col. James Skinner, C.B.,
For Many Years A Distinguished Officer Commanding a Corps of Irregular Cavalry in the
Service of the H.E.I.C.” (1851))


Gracefully located at the culmination of numerous perennially crowded streets slithering their way not very far from the magnificent Red Fort in the heart of Old Delhi, the majestic St. James' Church (more popularly renowned as Skinner’s Church), one of the finest English edifices to be constructed in the city, is undoubtedly a veritable time portal traversing whose sunshine yellow-drenched precincts instantaneously and miraculously allows one to be transported to an adventurous age, as so stimulatingly portrayed in Rudyard Kipling’s “Kim”, of British territorial and military supremacy and intelligence networks, when numerous legendary men from distant Britain undertook imperial administrative, judicial and military offices in the subcontinent, raised extremely powerful, semi-independent cavalry and infantry units and marched around with glittering field honors and glowing official commendations to indulge in extensive warfare and subdue inconsequential native warlords, ferocious dacoit brigands and militarily insignificant, however exceedingly extravagant, royalty.

Having survived numerous legendary battles, commendably distinguished in warfare and admirably regarded as a highly educated noble-minded man ceaselessly gallant in the face of seemingly insurmountable adversity and courteous to his brother-soldiers as well as indigenous subordinates, Colonel James Skinner (1778-1841), a most generous friend and an inspiring officer, still remains indelibly etched in the annals of the British East India Company as a military adventurer whose thrilling military exploits, unparalleled insightfulness of mind, undiminished benevolence of heart and unmatched comprehensive knowledge of Indian customs and languages could rarely be surpassed by other undoubtedly audacious English infantrymen, mercenaries and political agents with whom the country was thickly swarming in those early decades of British colonialism.


In consequence of a mercenary's gratitude - St. James' Church


In those early days, being recurrently challenged by its formidable French and Portuguese counterparts and yet ambitiously proceeding with rapid consolidation of power through territorial annexation, expansion of influence circles and militarization, the British East India Co. efficaciously resorted to the Mughal system of allowing enterprising private individuals to raise irregular fighting units in lieu of enormous rent-free land endowments (“jagir”) and military standing. At the right place at the right time for the right reason, Col. James Skinner was one such highly resourceful individual. His courageous men endowed him with the respectful name “Sikandar Sahib” derived from the vernacular rendition of Alexander the Great of Macedonia, and it needs be noted that besides unmatched chivalry and dauntlessness, he was also celebrated for his unequaled learning and understanding. Indeed, so unquenchable was his thirst for the acquirement and dissimilation of knowledge that he even laboriously penned two encyclopedic books titled “Tazkirat al-Umara” (“The Princely Families of the Rajput and Sikh states of India”) and “Kitab-i-tasrih al-Aqvam” (“History of the Origin and Distinguishing Marks of the Different Castes of India”)! Like most of his Indianized English contemporaries, he too spontaneously adopted the social, behavioral and sartorial preferences of the indigenous aristocrats, maintained a harem of, it’s said, 14 or 16 native wives of mixed Hindu and Muslim denomination, and strongly insisted on being referred to by his complete Persian honorific title “Nasir-ud-Dowlah Colonel Sikandar Bahadur Ghalib Jung” (lit., “The Most Exalted Col. Skinner, Victorious in War”). His mansion, renowned for generous hospitality and sumptuous indigenous feasts, endlessly resounded with music, dance congregations and poetry sessions, and all his subordinate men were invited, irrespective of their military rank and social standing, to the religious festivities and grand regimental banquets that were celebrated on his enormous estate with enviable splendor.


Classical!


“I do not mean to flatter when I say you (Col. Skinner) are as good an Englishman as I know; but you are also a native irregular, half born and fully bred; you armed them, understand their characters, enter into their prejudices; can encourage them without spoiling them; know what they can and, what is more important, what they cannot do. The superiority of your corps rests upon a foundation that no others have.”
– Major-General Sir John Malcolm (1769-1833), British East India Co.
Administrator and Historian


As glanced from personal correspondence and military memoirs however, in his long fruitful life he did undergo wretched misery and mournful lamentation as well – point in case, the significant necessity of leading life as a freewheeling mercenary following the contemptible denial of ardently desired military commission and territorial estate along with the unfairly prejudiced treatment he had to regularly endure both from the Hindu Maratha confederacy as well as British East India Co. who continuously contemplated his fierce loyalties on account of his being an Anglo-Indian whose dark-complexion ceaselessly acted as a vicious double-edged sword despite his having successively raised irregular cavalry units for them. Notwithstanding the repulsive slights and discriminatory deceptions, “Skinner’s Horse”, popularly referred to as “Yellow Boys” following their brilliant canary-yellow uniforms, the highly competent irregular light cavalry regiment he raised during the Second Anglo-Maratha War (1803) for the British East India Co., relentlessly proved its military mettle time and again while Col. Skinner dexterously commanded it, especially in First Afghan War and the battles of Ghazni and Bharatpur, and even afterwards until its mechanization, assimilation into and acclamation as the senior-most cavalry regiments of the Armored Corps of Indian Army.


From the threshold - The time portal


Left for dead for an entire night in the battlefield after being shot in the groin in the Battle of Uniara (Rajasthan, 1800), Col. Skinner, painfully wounded, miserably bereaved at the demise of his fearless men and relentlessly threatened by insatiable jackals, was unexpectedly provided lifesaving water and succor by a cobbler woman who was scavenging for valuables amongst the dead and detected signs of life in him. Immediately upon this deliverance, he gratefully vowed to build an episcopal church were he to somehow survive and acquire economic means to do so – this is generally believed to be the incontestable reason for the commissioning of his gorgeous classical edifice. Also as documented in contemporaneous literary records, Col. Skinner was doubtlessly inspired to construct a handsome church within the enormous peripheries of his Delhi estate as an accompaniment to the ruinously devastated Mughal mosque (more on that later) he discovered and ordered to be repaired therein.

“Among these natives, as among Christians of old, it was customary to devote large sums to charitable and holy purposes; no doubt, in the hope that their souls would be benefited by the sacrifice. Skinner was no whit behind them or any one in deeds of charity; and it was, doubtless, in something of this spirit mingled with sincere gratitude for blessings bestowed, that he vowed and afterwards built this church. In the same spirit of piety, with a sense of modest humility and of his own unworthiness, did he desire that when he died he should be buried not within the precincts of his church, but under the doorway sill, so that all persons entering might trample on “The Chief of Sinners”.”
– James Baillie Fraser, “Military Memoir of Lieut.-Col. James Skinner, C.B.,
For Many Years a Distinguished Officer Commanding a Corps of Irregular Cavalry in the
Service of the H.E.I.C.” (1851))



In the company of God and Col. Skinner


Constructed between 1826-36 at a cost of Rs 95,000 financed by Col. Skinner, the elegant church, faithfully consecrated by Bishop Reverend Daniel Wilson, was designed by engineer-architects Major Robert Smith and Capt. de Bude of the British Army in graceful Renaissance revivalist-style of architecture seamlessly amalgamating classical English colonial structural design with several Mughal artistic motifs. A bell tower, although inherently upsetting the overall remarkable symmetry yet as a fraction of the whole entirely complimentary to the outstanding floor plan, was constructed later. On a tangential note, Rev. Wilson had personally commissioned and presided over the Anglican Church of Calcutta (refer Pixelated Memories - St. Paul's Cathedral, Calcutta), while Major Robert Smith is also credited with designing the delicate red sandstone Bengali-style cupola that once surmounted the Qutb Minar but presently lies miserably secluded in a relatively distant corner of Qutb complex (refer Pixelated Memories - Qutb complex and Pixelated Memories - Smith's folly).

The church’s soothing yellow cruciform structure interspersed with flawless white highlights, its three stately pillared porticoes surmounted by heavyset triangular pediments and the enormous ribbed double dome crowned by its ornamental lantern and gilded copper cross-and-ball cupola have essentially become one of the most affectionately adored and certainly the most cheerfully photographed of all the British-era monuments and memorials plentifully peppering the Kashmere Gate area. Stepping into the hallowed interiors, exclusively dominated by semicircular arches and rounded floral-esque recesses and simplicity of ornamentation, in every direction one looks to one comes face-to-face with poignant memorials commemorating the memory of the deceased, especially valorous military heroes. Amidst the honors and details of numerous battles impeccably sculpted in resilient marble, the flawless flourishes of floral wreaths and the precise outlines of crossed swords and military badges, emblazoned against numerous of these touching memorials are the insignia of Skinner’s Horse and its battle cry “Himmat-i-Mardan Madad-i-Khuda” (“By the will of man and the benevolence of God”), however there are many others too that were installed to graphically memorialize the unfortunate victims of the First Indian War of Independence (aka the Sepoy Mutiny, 1857) as well as to honor several illustrious servicemen from other regiments and the more eminent amongst the descendants of Col. Skinner (including Brig. Michael Alexander Robert Skinner (1920-99), the great-great-grandson of Col. Skinner and Commandant Skinner’s Horse (1960-63)).


Lessons in history, warfare and discipline


Several of the emotionally-charged memorials insistently remind those shockingly harking to the dangerous romanticism and the elaborate espionage and communication games involved in the Sepoy Mutiny that entire families, irrespective of ethnicity, gender and religious beliefs, were outrageously murdered in cold blood (not to deny that the barbaric British retribution was equally, if not more, vicious. They did not even spare funerary monuments and religious edifices in their indignant wrath!) –

“Sacred to the memory of
Thomas W. Collins, Esq., many years Deputy Collector of Delhi, his wife Eleanor and mother-in-law Mrs. E.P. Staines. Three brothers-in-law, J.W. and E.W. Staines and G.R. White. Four sisters-in-law, Mrs. A. Hunt, Mrs. Eliza Cochrane, Mrs. A. White and Miss Christiana Staines. Seven nephews, William C. and Lewis C. Staines, George L. Hunt, James, Henry and Edward White, and an infant son of G.R. White. Three nieces, Margaret, and Mary Hunt and Christiana White. Three grandchildren, John T.C., Josephine T.C. and Joseph O’R.C. Leeson. All barbarously murdered at Delhi on or about the 11th of May 1857.
Also Hannah Collins mother, J.R. Collins brother, and Janet Collins sister-in-law of T.W. Collins. The former was killed at Futtyghur and the two latter at Futtypore by mutineers in June 1857.
Also Robert P. O’Connor, nephew of T.W. Collins, who was killed at Agra on the 7th July 1857.

“In the midst of life we are in death.”
“The Lord gave and the Lord hath taken away, Blessed be the name of the Lord.”

This tablet has been erected by the surviving orphans of T.W. Collins.”



Where and how? - The church's plan and position vis-a-vis the garden and auxiliary buildings enclosing it (Photo courtesy - Archinomy.com)


The church has since its inception played a very important role in the everyday life and social obligations of Delhi’s Christian community; H.M. Queen Elizabeth II (reign 1952 – present) visited it in 1961 and H.H. George Leonard Carey, then Archbishop of Canterbury, in 1995. Until the construction of the Cathedral Church of the Redemption in 1935 near the Presidential palace (refer Pixelated Memories - Presidential House), successive Viceroys since 1911 too used to regularly offer prayers here. The hallowed edifice’s indescribable undisturbed tranquility and the unpunctuated stillness of silence somehow inexplicably eliminates all sounds of the immense mass of boisterous humanity and disorderly vehicles outside; unarguably further assisted by its immensely sober architecture and ornamental treatment, possessing merely these poignant commemorative plaques and two vividly painted stained glass windows depicting respectively the Crucifixion and Ascension of Jesus (a third, depicting Roman soldiers unequivocally cowering in undisguised fear and amazement at the sight of Jesus’s Resurrection, can be perceived within the small church management office immediately adjacent the entrance), the peaceful serenity soothes frayed nerves and calms one’s mind until one is entirely immersed in the contemplation of the conventional architecture and the emotional memorial tablets. Under the benevolent gaze of the painted Jesus and perpetually surrounded by numerous dear friends, descendants and brothers-in-arms, interred therein underneath the glistening white marble close to the altar table are the mortal remains of Col. Skinner shrouded by the unpretentious inscription – 

“Here rest the remains of the late Colonel James Skinner C.B., who departed this life at Hansi
4th December 1841.
The body was disinterred, removed from Hansi and buried under this on the 19th January 1842.”

He died at the age of 63. His heartfelt wish to be buried under the door sill was never fulfilled by his descendants or the two hundred soldiers who faithfully disinterred the remains in Hansi and elegantly escorted them with complete military honors and guard to Delhi, however one assumes his spirit would still be gleefully galloping around armed and mounted on his favorite stallion.


Exquisite poignancy


I had been postponing the visit to Kashmere Gate area for years for no apparent reason except lethargy and eventually it was Rana Safvi, fellow blogger, history enthusiast and an extremely knowledgeable writer, who convinced me to accompany her to document the monuments located there (her brilliant articles can be read at Hazrat-e-dilli.com). We could not however click many photographs of the church interiors since the querulously argumentative lady caretaker refused to allow us – the church authorities, we later learnt, are considerably intimidated following the recent arson attacks on Christian religious shrines and cemeteries in the run-up to the politically and religiously charged Delhi elections. While the physical attacks have stopped, sick mockeries and veiled threats, also undeniably threatening the social fabric of the country, have relentlessly continued to be hurled on social media sites since. 

In painstakingly sculpted sepulchral mausoleums erected within the enclosed “Skinner family plot” in a corner of the church lawns is where unperturbedly repose in eternal slumber several members of the Skinner family clan, including his sons and daughters. The mournfully weeping angels carved flawlessly, the flourishes of scrolls and wreaths and the fading dark and sorrowful lettering in English and Urdu as inscribed on numerous of the headstones, present an extremely touching picture of inconsolable grief and pitiful lamentation. Nearby is a large plain red sandstone grave indicating the internment of the remains of Col. Skinner's most devoted and learned friend Major William Fraser, the Commissioner of the territory of Delhi and the Agent to the British Resident. Col. Skinner considered his murder in 1835 on the ghastly orders of Nawab Shamsuddin Ahmed Khan of Lotharu-Ferozepur Jhirka (Haryana) as one of the most devastating losses in his life and had his mortal remains disinterred and reburied here when he had the church constructed. The original exquisitely inlaid white marble mausoleum designed and executed by some of the finest stonecutters whom Col. Skinner could have employed was also entirely shattered during the Sepoy Mutiny and reconstructed afterwards. The highly emotive memorial epitaph inscribed by Col. Skinner nonetheless survives and reads –

“The remains interred beneath this monument were once animated, by as brave, and sincere a soul, as was ever vouchsaved to man by his Creator;
A brother in friendship, has caused it to be erected, that when his own frame is dust, it may remain as a memorial for those, who can participate in lamenting, the sudden and melancholy loss of one, dear to him as life.
William Fraser
Died 22nd March 1835”



In sacred memory - The memorial cross and Mr. Fraser's unpretentious grave


Upon a ziggurat-like pedestal adjacent the grave was erected a large three-dimensional cross commemorating the poor Christians deceased in the Sepoy Mutiny. Inscriptions in Hindi, English and Urdu remember the cataclysmic event thus –

“Sacred to the memory of those Christians who were murdered at Delhi in May mdccclvii;
And in gratitude to God for his mercy in having spared a remnant of his people to erect this cross.”

The simplistic mausoleum of Sir Thomas Theophilus Metcalfe (lived 1795-1853), the British Agent (Negotiator) at the courts of the last two Mughal Emperors Akbar Shah II (reign AD 1806-37) and Bahadur Shah “Zafar” II (reign AD 1837-57), is also located in the church grounds. His singular life and unusual extravagances have been extensively dealt with in these three articles – Pixelated Memories - Metcalfe's Chattri,  Pixelated Memories - Metcalfe's Ziggurats and Guardhouses and Pixelated Memories - Quli Khan's Tomb.


Fakhr-ul-Masjid - Rising above mediocrity


As already mentioned, the First Indian War of Independence (Sepoy Mutiny, 1857), the murderously catastrophic culmination of a formidable storm brewing barely under the undisturbed surface of the vast subcontinent, also spelled calamitous for the church and its handsome yellow structure. The then Chaplain, Reverend Jennings, was arrested and executed by the mutineers. The church's dome too, relentlessly used by the Sepoys for target practice, was so greatly damaged by shell fire that the cross-and-ball finial surmounting it was badly bruised and toppled. Since 1988, the Indian National Trust for Art and Cultural Heritage (INTACH) is undertaking the Delhi Government-sponsored maintenance and restoration drive which involves the relaying of several severely damaged polished sandstone surfaces, the removal of several hundred kilograms of unnecessary cement plaster, addition of structural buttresses and support enhancements, restoration of stained glass windows and the repair and gilding of the sophisticated cross-and-ball surmounting the massive ribbed dome. Col. Skinner would have graciously approved – after all, he too amiably adopted and had extensively repaired the aforementioned crumbling Mughal mosque that strikingly sprawled on his estate. 

“The Fakhrool Musajid was built by Kuneez i Fatima widow of Shoojaat Khan about A.D. 1729, to the memory of her husband who was one of the confidential followers of Nizam ool Moolk, Minister of Mohummud Shah. It adjoins the Estate and is nearly opposite to the Church erected by the late Colonel Skinner C.B. and has been of late years repaired at no inconsiderable expense by that distinguished Officer, for the convenience of his followers military and menial.”
– Sir Thomas Metcalfe, “The Dehlie Book”
(“Reminiscences of Imperial Delhi”)


“Simplicity is the ultimate sophistication.”


Affectionately commissioned in 1728-29 by Kaniz-i-Fatima (entitled “Fakr-i-Jahan” (“Pride of the World”)) in loving memory of her deceased husband Mirza Shujat Khan, a high-ranking noble (“Mansabdar”) and an artillery officer commanding 4,000 infantry and 2,500 mounted cavalry in the imperial army of Mughal Emperor Aurangzeb Alamgir (reign AD 1657-1707), the gorgeously conceived and unusually proportioned mosque was originally christened “Fakhr-ul-Masjid” (“Pride of the Mosques”), but is presently simply referred to as “Lal Masjid” (“Red Mosque”) on account of its red sandstone character. Its handsome facade embedded with pink-white marble and its bulbous onion domes highlighted through the employment of slender strips of black marble, the mosque is an enthralling sight, rising as it does from a very high platform in the midst of an entire bazaar peopled with scooter mechanics, fruit-and-vegetable sellers, voracious pedestrians thronging to several of the hole-in-the-wall restaurants and roadside sweetmeat sellers, rickshaw-wallahs ferrying around enormous weights and cyclists meandering this way and that to navigate the oncoming flood of humanity that literally threatens to burst through the seams in this very narrow street. The unsophisticated interiors portray extremely simplistic yet very delicate ornamentation predominantly comprising sleek arches and calligraphy inscriptions of the Islamic kalima –

“La illah illa Allah, Muhammad-ur rasool Allah”
“There is no god but Allah, and Muhammad is his Prophet.”

Originally cheerfully existential as part of Col. Skinner’s historic estate, presently the small mosque is geographically as well as emotionally separated from it by this aforementioned serpentine bazaar which wedge-like malevolently ranges between the two, thereby introducing on the innocent part of the mosque an element of being overboard and therefore being neglected by conservation authorities and history enthusiasts alike. The traditional architecture and the subdued artistic ornamentation are simplistic in conception and yet undeniably succeed in impressing a casual visitor through their graceful humility and abhorrence of pretentious flamboyance.


A chilly, foggy morning


Along the sprawling courtyard have been built tiny rooms, lockers, a washroom and a kitchen to accommodate the numerous students who learn here the recitation of Quran, Islamic jurisprudence, Arabic, Hindi and a bit of English and mathematics (no sciences though!). The cold December day we visited, all of them as well as their middle-aged, bearded teacher (“Imam”) were sprawled slumbering undisturbed in the agreeable afternoon sun and upon being unintentionally thus woken informed us that they were continuously offering prayers all night and were therefore tired now.

Although the historic mosque looks pretty well-maintained vis-à-vis several others scattered throughout the ancient landscape of Delhi, one has only to take a gander along its rear extremities which have been incorporated within the horribly ruinous premises of the offices of the Municipal Corporation of Delhi – here, in the midst of wreckage and ruins of abandoned and demolished buildings, does one see the terrible destruction fraught by men and women ironically charged with the maintenance and preservation of Delhi’s civic infrastructure! The illustrious Hindu College, which originally functioned from here, has long been shifted to Delhi University’s north campus and its building here demolished and replaced by multistoried unappealing office blocks, yet in a commendably well-camouflaged corner survives a small, low-roofed circular building hugged on one side by a classical colonnade.

Carefully masquerading as a miserably abandoned, appallingly maintained storage warehouse where are stuffed broken furniture, unfixable electrical fixtures, shredded college examination papers and the lifeless remains of an inoperable motorcycle perhaps preserved here for posterity, this modest orange-yellow edifice impeccably disguises its prestigious historic associations – it constituted a not insignificant fragment of Col. Skinner’s estate and functioned as his dining-cum-recreational room where he entertained his most distinguished and royal guests during the winter months spent here – one assumes that here in a corner stood a cards table, in the center finest of rugs and comfortable bolsters surrounded by extravagantly carved hookahs inset with colorful stones and designs; numerous servants would have continuously whirred about bearing servings of fine alcohol and various kinds of meats and breads when drinking sessions would have continued till late night; interesting hunting expeditions would have been planned, experiences in fierce battles and with lovely dance girls and politician-generals as easily recounted, and one believes that Col. Skinner, ceaselessly engrossed in the betterment of agricultural yield and irrigation facilities of his gargantuan estate in Hansi (Haryana), would have relentlessly deliberated with indigenous village chiefs and governmental officials the dis/advantages of the various modes of cultivation and revenue collection.


Pitiable!


Afterwards, the building along with the surrounding segment of Skinner estate was acquired and similarly employed by Rai Bahadur Lala Sultan Singh Jain (1876-1930), the Treasurer of Imperial Bank at Delhi, Shimla and Meerut and one of the city's richest and most celebrated citizens of his time, renowned for his extravagantly aristocratic style of fine living, his role in the establishment of and philanthropic contributions to several reputable educational institutes including Hindu College, Indraprastha College and Tibba College, and his cordial associations with the foremost of Congress party members and the Maharajas of Kashmir, Jaipur, Mysore and Darbhanga. I wonder if my sister, who recently graduated from Hindu College, would have heard of him.

“So long as Charity, Benevolence, and the kindlier feelings of the human heart
Are held in respect by Mankind,
The name of James Skinner will be remembered and revered.”
– Memorial stone, St. James’ Church

For some inexplicable reason brought about by the ceaseless passage of time and the vagaries of human social response and communal memories, not many remember and/or revere Col. Skinner today. His beautiful church, on the other hand, continues to be affectionately admired and cherished, and remains to this day, as originally intended, one of the most prominent landmarks of Kashmere Gate area. Were it not for the ignorant MCD employees disturbingly hellbent on irreversibly disfiguring the hallowed mosque and the sorry remnants of Col. Skinner's estate, the same could perhaps have been said about them as well.


Of neglectful ignorance and wanton destruction


Location: Kashmere Gate area, north Shahjahanabad (Coordinates: 28°39'56.4"N 77°13'51.2"E and 28°39'54.0"N 77°13'46.3"E)
Nearest Metro station: Kashmere Gate ISBT, approximately 1.5 kilometers away (however, most bus drivers passing past the church would, if requested, briefly halt immediately opposite it as well).
How to reach: Kashmere Gate ISBT is one of the most well-connected bus terminals in the city and is throughout the day accessible via regular bus and metro services. Furthermore, it is only a very short walk from Mori Gate terminal. One can easily walk/avail an auto/rickshaw to the church/mosque from Kashmere Gate metro station/ISBT bus stop. Red Fort/Chandni Chowk is approximately 3 kilometers from the church/mosque and one can avail a bus/auto from there as well. The delicate domes of the beautiful mosque are visually perceptible from the church and its entrance is via a narrow staircase built underneath slightly offset from it amidst the bustling bazaar.
Church timings: Monday to Saturday: 8 am – 1 pm and 2.30 pm – 6 pm; Sundays: 8 am – 12 noon
Church service timings: Winters (October – March): 9 am; Summers (April – September): 8.30 am
Mosque timings: Fakhr-ul-Masjid remains open to people of all religious beliefs, faiths and genders every day from sunrise to sunset.
Entrance fees: Nil
Photography/video charges: Nil. Prohibited by permission within the church building.
Relevant links -
Other edifices in Delhi indelibly associated with British East India Co. officials -
Some of the churches in Calcutta commissioned by British administrators/clergymen -
Suggested reading -