Pixelated Memories: Metcalfe's Folly

Showing posts with label Metcalfe's Folly. Show all posts

June 23, 2015

Mehrauli Archaeological Park, Delhi

“When you’ve lived with someone for so long, the first few weeks after the break-up are strange times indeed. You have two options: you can either sit huddled up in a corner, a bottle of gin in one hand, a fag in the other, howling the lyrics of all those love songs or you can get up, get dressed and get out. I chose Option Two. I went out. Every night. Every single night, so incapable was I of staying home and facing my solitude. I went to the cinema, the theater, pubs, clubs, wine bars, restaurants, galleries, cultural talks, city walks – the opening of a tin of tuna if I thought there’d be people there. Even the gym held a certain appeal, for verily it is written: misery loves company. When I did find myself home alone, I had the TV and the radio blaring and was on the phone non-stop. Bewitched, bothered and bewildered was I.”

– Wendy Salisbury, “The Toyboy Diaries”

My recent break-up, heartrendingly painful as it was, pushed me to seek solemn solace in the streets of my beloved Delhi – my feet traversing paths that they had tread on numerous occasions previously; my mind, numbed as it was with recollections and idealizations, longing for company and asylum in delicate restaurants, magnificent monuments and forgotten corners that the city graciously offers to those who pry through its hordes of unmentionable secrets. I found myself once more in the beautifully pristine, wilderness reclaimed, forgotten and secluded Mehrauli Archaeological Complex where lie scattered, amidst the considerable remnants of large settlements and massive trees with gnarled, all-encompassing branches, magnificent ruins of enormous mausoleums, mosques and step-wells pertaining to almost a millennium of construction that cannot but be nonetheless regarded as only a fraction of architectural and cultural heritage in the immensity that is the grand city’s historical existence – and yet, despite its unmistakable reputation as being one of the oldest continuously inhabited settlements within the city, the area possesses the unenviable notoriety as being a potentially unsafe, spine-chillingly haunted dark forest, redolent of death and destruction, where the trees bend closer to whisper dark secrets and even the birds too maintain a hushed unmentionable silence.

Haunted territory - Mehrauli Archaeological Park

I realized I hadn’t yet penned an article reflecting upon the complex’s renewed lease of life at the hands of the Archaeological Survey of India (ASI) who are exhuming the remains of structures, colossal and small, from underneath layers of earth and vegetation where they were buried for centuries since soon after the area was abandoned by the general population following the revolt of 1857 (First War of Independence/Sepoy Mutiny) and the implications that followed – in fact within the park complex, it isn’t surprising at all to come across huge chambers, buried underground in their entirety, their arches and collapsed roofs peeping through the grass and shrubbery, nor is it inconsequential to realize that here, of all places, in this distant corner of the city, ornamental British monuments (“follies”) exist next to splendid, miniaturized Mughal-era (AD 1526-1857) mausoleums, tell-tale distinctive Lodi-era (AD 1451-1526) mosques and even earlier still settlement ruins and mausoleums inspiringly dated to the Slave Dynasty reign (AD 1192-1290). I have indeed penned individualized posts about most of the major structures within the complex and here of course, they shall be interconnected along with a map depicting the presence of each of these structures, nonetheless it is the smaller, regrettably insignificant structures that I shall dwell upon here since it is these that I somehow find the most surprising and bewitching, not because of their commendable architectural and artistic features, but simply because there is such an overabundance of them that I feel astonished at the existence and requirement for so many of them – wall mosques (“qibla”) of varied dimensions and artistic ornamentation, yet retaining the overall similar structural features; rows upon rows of enclosed chambers, stables and residences; smaller mosques, many of them now encroached upon, refurbished, rebuilt and repainted to function as madrasas (Islamic seminaries) and residences for local Muslim priests and scholars; and such diminutive domed structures that I’m apprehensive of regarding as funerary structures and would have, if I was qualified enough, classified as guardhouses or some such similar functional building.

Fragments of an eventful history

It is said that the region was crisscrossed by trade routes that connected Delhi to central Asia and beyond and thus was frequented by caravans consisting of camels, horses and pack mules laden with aromatic spices, luxurious silks, precious jewels and royal gifts; mendicants and learned dervishes, their thirst for knowledge and religious mysticism unquenched and their pursuance of the same drawing them to the erudite sages and masters of Indian peninsula; regal messengers and couriers with their secretive messages and exclusive gifts and mementoes. It was here that Sultan Ghiyasuddin Bahauddin Balban (ruled AD 1266-86) decided to commission a beautiful, sober mausoleum for his deceased son Muhammad “Khan Shahid” and where he himself was laid to eternal rest in a grand and architecturally prominent tomb after he mournfully expired bereaving the latter’s demise (refer Pixelated Memories - Khan Shahid's Tomb and Pixelated Memories - Balban's Tomb). The establishment of a small rural settlement adjacent the trade route prompted the renowned Sufi mystic Sheikh Fazlullah Jalaluddin Khan “Jamali” Kamboh Dehlavi to establish his monastery here and construct the massive mosque complex (and later his artistically remarkable mausoleum), still thoroughly famed as Jamali-Kamali and presently the epitome of architectural heritage within the park where, seated upon an expansive incline, it prominently occupies the position of honor as the single outstanding monument which architecturally and artistically inspired nearly all the lavish mosque complexes that chronologically followed it (refer Pixelated Memories - Jamali Kamali Complex). I generally make it a point to enter the park complex through a small obscure opening in the periphery wall slightly offset from the intersection of the arterial, perennially crowded Mehrauli-Badarpur and Mahipalpur-Gurgaon roads at Lado Serai since the path quickly takes one past these two major set of ruins (two motorable entrances also exist – the first adjacent the renowned Qutb complex (refer Pixelated Memories - Qutb Complex) and the other on the other side of Balban’s tomb projecting from the Mahipalpur-Gurgaon highway).

Flamboyance personified - Within the mausoleum of Sheikh Jamali Kamboh Dehlavi

The large settlement that existed here must also have possessed several inns and resthouses for weary travelers which might explain the presence of such large stables and it is quite possible that many of them did construct smaller, individualized wall mosques in the vicinity to cater to the religious needs of their influential patrons. In one of the furthest corners of the complex where the comprehensive folds of thick, impenetrable vegetation gives way to an open ground used by the local kids for games of crickets, exists the thoughtfully landscaped, beautifully adorned mausoleum of Mirza Quli Khan, a foster brother of Mughal Emperor Akbar (reign AD 1556-1605) (refer Pixelated Memories - Quli Khan's Tomb). Sir Charles Metcalfe, the Agent (negotiator) of British East India “trading” Company at the royal court of Emperor Bahadur Shah “Zafar” (reign AD 1837-57) purchased this monument and had it luxuriously converted into his summer retreat and guesthouse retrofitted with additional “follies” (ornamental architectural entities eponymously designed to appear ruined/monumental) such as “chattris” (umbrella domes surmounted upon slender ornamental pillars), gingerbread hut-like guardhouses, adornment bridges and stepped pyramids (“ziggurats”) – one such chattri was also conceived and commissioned upon a slightly rolling hillscape immediately opposite the attractive Jamali-Kamali complex (refer Pixelated Memories - Metcalfe's Chattri).

Unbelievably contrasting with the magnificently multi-hued and symmetrically ordered rose garden that has been established within the park periphery abutting its extremities along the Lado Serai-Qutb Complex connecting road, past the portion of the park where there still is some semblance of civilizational presence, past the region where the winding serpentine pathways have been shrouded with layers of red soil and cobbled stone and there do exist varieties of flora and fauna apart from lithe goats, ubiquitous Kikar trees (Prosopis juliflora) and ever-garrulous Jungle Babbler birds (Turdoides striata), the thoroughly-vegetated 200-acre complex transforms into a threatening, dark and forgotten patch of forest crisscrossed by deep sewage channels, untrodden pathways and desolate remains of decrepit mausoleums (most of which have been documented on this blog in the past, follow the links mentioned at the end of this article). Nearby appear like mirages two majestic step-wells (“baolis”), since christened “Rajon ki Baoli” and “Gandhak ki Baoli” as a consequence of their association with masons (“Rajon”) and Sulphur (“Gandhak”) (refer Pixelated Memories - Rajon ki Baoli and Pixelated Memories - Gandhak ki Baoli).

Detritus from an age of sophistication - One of the disintegrated Qibla walls within the complex

Several of the predominantly small, single-floored structures, vibrantly painted white bearing highlights in green, continue to function as mosques in this part of the complex and bear names such as “Choti Bagh wali Masjid” (“The Mosque within the Small Garden”) and “Neem wali Masjid” (“The Mosque with the Tamarind Tree”) – the entire area within the park complex and beyond was originally referred to as “Nazir ka Bagh” (“Nazir’s Garden”), though sadly it is no longer remembered who Nazir was or what age did he live in, however the Muslim Waqf Board (the custodian of Islamic funerary zones) inherently claims most of the park as its property on account of it largely being an enormous funerary land, leading to tussles with the ASI and Indian National Trust for Cultural and Architectural Heritage (INTACH) and counter-accusations of encroachment and monumental damage (point in case – Pixelated Memories - Choti Masjid Bagh wali). One does reverentially hope that the issues are quickly resolved and the complex can be conserved and the monuments restored to present a larger, better preserved archaeological and heritage zone in continuation with the majestic Qutb Complex adjacent. Nonetheless, observing the immensely satisfactory restoration drive affected upon several historically important monuments, especially the hallowed Jamali-Kamali complex, one is subconsciously reminded of the below mentioned phrase from Bible (John 11:25) –

“I am the Resurrection and the Life, saith the Lord; he that believeth in me, though he were dead, yet shall he live; and whosoever liveth and believeth in me shall never die.”

Situated like an eagle’s nest upon an eyrie and overlooking the massive expanse of the archaeological complex from across the Gurgaon-Mahipalpur highway exists the formidable mausoleum of Azim Khan, another foster brother and army general in the court of Emperor Akbar (refer Pixelated Memories - Azim Khan's Tomb). The entire area, in fact, is literally dotted with monuments, shrines and mausoleums, considerable and minor, and can be unarguably regarded as one of the foremost sites of civilizational heritage in the beautiful cityscape – a postcard image of Delhi that was, frozen to portray the amalgam of political and financial power, majestic architecture and exquisite artworks nestled amidst lush foliage and vast landscaped plains – this truly is a representative of Delhi, The City of Cities, the City of Djinns!

White with green highlights - Neem wali Masjid

Location: Lado Serai intersection
Nearest Metro station: Qutb Minar
Nearest Bus stop: Lado Serai
How to reach: The park's entrance is immediately opposite Lado Serai bus stop at the intersection of Mehrauli-Badarpur and Badarpur-Gurgaon roads. Walk/avail an auto from Qutb Minar metro station or avail a bus from Saket metro station. Visually appropriate sandstone markers indicate the routes to different monuments inside the park.
Photography/Video charges: Nil
Time required for sightseeing: Approx. 6 hrs
Note – There are no facilities (toilets, food or drinking water) available within the complex. While one can avail food and refreshments at one of the restaurants at Lado Serai, toilet facilities can only be availed at the shopping malls close to Saket Metro Station, almost a kilometer away. The park remains deserted in the evenings and is best avoided then by female enthusiasts.
Monuments within the park complex -

Other monuments/landmarks located in the vicinity -

Suggested reading -

December 21, 2012

Metcalfe's Chattri, Delhi

As recounted some posts back, there lived a British officer who went by the name of Sir Thomas Theophilus Metcalfe who was absolutely in love with Delhi and its numerous magnificent ruins. The entire Metcalfe family was employed by the British East India Company – Sir Thomas was posted as the British Agent (Negotiator) at the courts of Mughal Emperors Akbar Shah II (reign AD 1806-37) and Bahadur Shah “Zafar” II (reign AD 1837-57); his father started as a soldier in the Company Army and eventually became the Company Director before retiring with considerable personal fortune to a life of politics and entitlement; his elder brother Sir Charles was the assistant to then Resident (Ambassador) Sir David Ochterlony and later also served as the Governor-General of India, Governor of Jamaica and Governor-General of Canada; lastly his son Sir Theophilus John officiated as the Chief Judge of Delhi. As a consequence of the Mughal Emperor’s waning political and military control over the immense subcontinent and the occupation by Company forces of the political and territorial space vacated by the Emperor’s nominal sovereignty, considerable power came to be placed in the hands of prominent Company officials like the Metcalfes. Sir Thomas used his power and influence to purchase the tomb of Mirza Muhammad Quli Khan, a foster brother of Emperor Akbar (ruled AD 1556-1605) and a valiant military General, and converted it into a suburban country house (refer Pixelated Memories - Quli Khan's Tomb) by adding annexes and servant quarters around it. As already mentioned, Sir Thomas loved ruins – he talked and wrote about them and had their sketches painted and sent to his daughter Emily – the only thing left to do was create more ruins. Now that’s not a very easy thing to do. But his heart was set on doing so – he filled the area around his country house with all sorts of unique structures – Ziggurats (stepped pyramids), guardhouses, small bridges spanning artificial canals, chattris (umbrella domes surmounted on rectangular pillars), stables and circular dovecots. I had seen the ziggurats while visiting the renowned Qutb complex adjacent, the same have been documented here – Pixelated Memories - Metcalfe's Ziggurats and Guardhouses and Pixelated Memories - Qutb Complex. I came across the smaller of his chattris a few weeks back – it is one of the relatively popular monuments within the Mehrauli Archaeological Park, an area designated as possessing considerable heritage interest (the other, larger but less well-known chattri is located opposite Metcalfe’s country house/Quli Khan's Tomb, see photographs in the link mentioned). The sprawling archaeological complex, situated in the immediate vicinity of Qutb Complex, contains monuments and ruins from virtually every dynasty that ever ruled over Delhi in the last millennium and yet is one of the least visited and heard about places in the city. So when I say Metcalfe’s chattri is relatively popular, I simply imply that most history seekers and Delhi-lovers have heard about it, a few have seen it and it is part of the itinerary whenever some photography/history club does a photowalk in this area.

Comfy on a gentle slope

The Chattri is now referred to as Metcalfe’s Folly – according to Encyclopedia Britannica, a folly is “a costly, non-functional building erected to enhance a natural landscape”. Now one might ask who builds a chattri in the middle of nowhere?! But actually, chattris were fairly famous architectural additions in those days – Hindu architects had invented them and the royalty, especially Rajputs, had them constructed to commemorate their dead kings and queens; Muslim rulers and aristocracy who came afterwards adopted these as ornamental additions to grace their magnificent gateways and majestic tombs. Thus we see chattris affixed over Humayun’s tomb and the gateways of Old Fort in Delhi, in Taj Mahal in Agra and as freestanding monumental sepulchers in Rajasthan and Haryana (I’m yet to visit any monument located in any part of the country except Delhi and Calcutta, my two hometowns – sometimes I feel disturbingly sad for missing out so much heritage and travel!). But without diverting from the topic – Sir Thomas took an instant liking to the concept of a freestanding chattri, but he did not know where to fix it – his country house was a renovated old tomb and a chattri would have actually spoiled it, his town house (near Red Fort, in present day Old Delhi) was built in a colonial fashion with colonnades and porticos – perplexed, he eventually decided to build chattris close to his country house. So he selected a corner of his impossibly large estate from where he could get an unhindered view of the gigantic Qutb Minar looming in the background and atop a lofty hill he placed his chattri. It’s a fairly simple structure – six pillars emerging from the corners of a hexagonal rubble base and supporting amongst themselves a small, now blackened, umbrella dome. The geometrical patterns etched on the rough, simplistic pillars resemble those that adorn some of the most unornamented pillars that Qutbuddin Aibak pillaged from the Jain and Hindu temples that he had razed to construct his magnum Quwwat-ul-Islam Mosque (“Might of Islam”/Qutb Mosque) over their ruins. It seems that city Romeos have attempted to seek vengeance from Mr. Metcalfe for the ruin East India Co. brought to the subcontinent by carving their initials and love letters on the unornamented dome of the chattri – in fact even when I was photographing the structure and the sloping hill it sits on, one couple lay embracing each other on the gentle, concealed slope behind the folly while another sat nearby deeply engrossed in conversation. Oblivious to it all, a middle-aged lady strolled around with her son. Dishearteningly, except for these six people and a few craftsmen-masons restoring the more famous edifices located opposite (see links at the end of this article), there wasn’t a single soul to be seen in the vast complex. Am sure you would have understood how very popular the park and the chattri are!

Come closer

Many people consider the chattri an ugly or unremarkable addition to Delhi’s landscape and contend that it shouldn’t have been there in the first place. I might be an exception, but to my eyes it almost blends in with its environment and in fact makes the area more picturesque. Sir Metcalfe ought to be given some credit – he had the guts to live in a tomb and attempted, in his own resolved way, to beautify an area that is dotted with splendid, centuries-old tombs, mosques and ruined structures whose identity has been long lost in the leaves of history! And what’s more, he almost did succeed!

Sadly, after his death in 1853 and the battle for control of India in 1857, the area around the chattri and his country house fell into disuse and was soon reclaimed by vegetation. The Archaeological Survey of India (A.S.I.) is presently excavating the entire complex and restoring the structures within. Since tourists seldom visit this part of Delhi, there are no shops or facilities in the immediate vicinity – no food and drinking water, no toilets. A good pair of shoes might come in handy, given that the thorny bushes and stones that carpet many of the unpaved paths are yet to be removed.

Location: Mehrauli Archaeological Park
Open: All days, Sunrise to Sunset
Nearest Metro Station: Qutb Minar

Nearest Bus stop: Lado Serai Crossing
Entrance Fees: Nil
Photography/Video charges: Nil
How to Reach: If coming by metro, start walking from Qutb Minar station towards Lado Serai crossing. The archaeological complex's entrance is located on Mehrauli-Gurgaon road and there are sandstone markers along the periphery wall to indicate its existence. Car entry is also from the same entrance and the parking area is immediately opposite the small hill on which the chattri stands. Alternately one can deboard at Saket metro station and take a bus from there to Lado Serai crossing. The informal, unmarked entrance (a gap in the boundary wall) to the complex is located opposite the crossing behind the makeshift shops of flower sellers along Mehrauli-Gurgaon road. This entrance too leads straight to the chattri.

Time required for sightseeing: About 15 min
Note – There are no facilities (toilets, food, drinking water) available within the Archaeological Park. While snacks, fritters and bottled water/cold drinks can be purchased at shops located at Lado Serai or opposite Qutb complex, toilet facilities are only available within the latter or at one of the many shopping malls at Saket, over 2.5 kilometers away. It is better to be prepared. Also female travelers are advised to avoid the complex post-evening because of the unsafe, secluded nature of the place and absence of visitors.

Other monuments within the Archaeological Park premises -

Other monuments located in the neighborhood -

Other monuments in Delhi that feature chattris -

June 23, 2015

Mehrauli Archaeological Park, Delhi

December 21, 2012

Metcalfe's Chattri, Delhi

Total Pageviews